Since its establishment in 2009, sleep with sirens They stand out thanks to Kellin Quinn’s high-pitched vocals and their utterly honest songwriting. Their seven studio albums have covered issues as diverse as addiction, broken families and mental health.
The group has a long history of making post-hardcore music, trying to break into the pop-rock world before returning to what they do best. Their verse progression is somewhat soft, making the soaring, melodic chorus their trademark. In short, SWS is written with style and skill.
Read more: Every A Day to Remember albums ranked: Worst to best
Below, we’ve ranked the Sleeping with Sirens albums from worst to best.
gossip (2017)
gossip lacks any real originality, as it is A pop-rock record that doesn’t achieve anything particularly noteworthy. Given the period when bands like PVRIS and Paramore were constantly evolving their sound, it was understandable that SWS wanted to try something new.While Quinn’s singing gets a chance to shine, there’s no real redemption gossip Because the lyrics are mediocre, the instruments are mediocre. If it ain’t broken, don’t fix it.
crazy (2015)
crazy, the predecessor of gossipheralding SWS’s attempt at radical change in 2017, while still sticking to its popular, unique sound. crazy is a sing-along record that features songs like “Go Go Go” and “Save Me A Spark” that focus on pop-rock sounds, while others like “Kick Me” and “Better Off Dead” use post-hard Nuclear technology. Quinn’s voice seems soft on every track, creating a disjointed look with the clean-cut instrumentation. Although the album maintains their writing style, it’s clear that the band tends to incorporate pop into their post-hardcore sound.
Feel (2013)
After the success of their previous two records, Feel is SWS’s first foray into alternative pop-rock. Smoother riffs and a less aggressive vocal approach make for a less intense listening experience. The album’s engineering is excellent, with clear, edgy guitar sounds and an emphasis on the rhythm section. SWS always puts out well-thought-out records because the flow and conception of the album is smooth. While songs like “Here We Go” and “Low” on the album embrace surging guitars and dramatic percussion, songs like “Free Now” and “These Things I’ve Done” use smooth riffs And the melody balances the aggressiveness.
destruction (2022)
destruction is a solid post-hardcore record. Both Quinn and guitarist Nick Martin created screaming sounds based on SWS. Here, the band seems to have figured out how to incorporate some pop elements, such as synths and throwbacks, into their sound without eliminating the instrumentation entirely. The title track and “Bloody Knuckles” are two of the album’s notable tracks, featuring catchy choruses and strong melodies. Meanwhile, “Crosses” (a feat of Underoath’s Spencer Chamberlain) and “Ctrl + Alt + Del” showcase SWS’ unique post-hardcore sound. Rhythm and impact blend beautifully without feeling completely disjointed.
Have ears to see, eyes to hear (2010)
Have ears to see, eyes to hear is the iconic debut record from SWS. Quinn’s Try was introduced to the world before their guitarist Jesse Lawson finally took over the screaming duties. Quinn’s voice is most comfortable in the tenor range, and his voice extends down to the lower notes. The impassioned lyrics underscore Quinn’s transparent songwriting, paired with fast tempos and powerful basslines. The album doesn’t contain any of Quinn’s discussions of mental illness, addiction, and broken families; instead, he prefers romantic, relationship-focused lines. “You Kill Me (In a Good Way)” and “In Case of Emergency, Dial 411” both contain beautiful melodies, while “If I’m James Dean, You’re Audrey Hepburn” and “Captain Tyin Knots VS Mr Walkway (No Way)” embodies the post-hardcore revival of the early 2010s.
let’s toast to this (2011)
let’s toast to this Put Sleeping with Sirens on the post-hardcore map. With infectious melodies and major guitar riffs, Quinn’s resonant voice is strong enough to stand out from the bass- and guitar-heavy arrangement and cut through the rest of the instrumentation. His high-pitched voice is easily recognized by everyone. SWS have become a vocal band, but Quinn’s unique singing always shines through. Capturing the essence of post-hardcore guitar riffs and punchy beats, these instruments are reliable and catchy.
how does it feel to be lost (2019)
how does it feel to be lost This is a well-made record from start to finish. The overall cohesion and philosophy of the album is clear throughout. It was the first record Quinn wrote while sober. The personal tragedies of being lost to mental illness and alcoholism are palpable and reflective, creating the kind of dialogue he’s consistently referenced in previous records.However, it has never been more straightforward how does it feel to be lost, especially the title track and “Medicine (Devil in My Head)”. The instrumentation is consistent and enjoyable, and the interesting riffs balance out the intensity of the lyrics on tracks like “Leave It All Behind” and “Break Me Down.” Sleeping with the Sirens takes this record back to their roots, and those roots are stronger than ever.
